A Poetry Commission and an Exciting New Project from the Johnstone Fund for New Music

Toshiyuki Imai Music Sheet httpswww.flickr.comphotosmatsuyuki4317930373inphotolist-7zywgp-Udcg8Q-8xrsLM-aXqoHp-dxRJv8-8xrsSX-8xrsCM-7
Photo: Toshiyuki Imai/Creative Commons/Flickr

I am extremely excited to announce my most recent poetry commission and an invitation to participate in an innovative project to catalyze the creation of new musical works with poetry.

The Big SCORE, a project created and funded by the Johnstone Fund for New Music, pairs six Columbus poets with six Columbus composers, each pair tasked to collaborate on the creation of a new work for chamber ensemble and spoken or sung text.

I am thrilled to be one of The Big SCORE’s invited poets and to have been paired with the phenomenal composer and percussionist Mark Lomax. The other artists invited to contribute to the project are poets Louise Robertson, Jeremy Glazier, Barbara Fant, Dionne Custer Edwards, and Scott Woods, and composers Jennifer Merkowitz, Linda Kernohan, Jennifer Jolley, Michael Torres, and Charlie Wilmoth.

The new works will be premiered in Columbus in spring 2019. I am deeply grateful to Zoe Johnstone for inviting me to participate in this extraordinary project.

Call for Submissions: The 2018 International Women’s Haiku Festival on Inner Voices

Loni Townsend - feather pen and paper
Photo: Loni Townsend/Creative Commons/Flickr 

Last year’s International Women’s Haiku Festival was such a success that we’re going to do it again in 2018.

In celebration of National Women’s History Month (March) and in honor of women’s unique contributions to the world, I seek submissions of haiku/senryu about women and on all aspects of women’s experience for the second annual International Women’s Haiku Festival on Inner Voices, March 2018.

All poets are welcome to submit a maximum of five (5) poems between February 1 and 28, 2018.  I will publish selected poems on a rolling basis throughout the month of March 2018 on this blog, Inner Voices.  You are strongly encouraged to submit early.

Please follow these detailed submission guidelines:

  1. DEADLINE: Submissions must be time stamped between February 1 and February 28, 2018 inclusive in order to be considered.
  2. All poems you submit must be in English, previously unpublished, and not under consideration elsewhere.
  3. Submit your poems and bio, noting the country in which you live and the name under which you wish to have your poem(s) published, in the “Comment” field at this link: INNER VOICES – INTERNATIONAL WOMEN’S HAIKU FESTIVAL
  4. Rights to your poems revert back to you once they’ve been published on Inner Voices as part of the International Women’s Haiku Festival.
  5. Should your poem(s) be published in the festival and then republished elsewhere later, customary acknowledgement of the 2018 International Women’s Haiku Festival on Inner Voices, ed. Jennifer Hambrick, and relevant link as place of first publication will apply.

I am very excited to read you work!

“Dementia Unit Art Gallery” Published in The American Journal of Poetry

- free download from pixabay-dot-com

I am deeply honored that my poem “Dementia Unit Art Gallery” has been published in the most recent issue of The American Journal of Poetry.

Dementia is a theme I revisit frequently in my work.  I have not yet found a way to communicate the full scale of devastation that all forms of dementia bring about. So while I despair of the reality of dementia itself, I keep trying to convey the profound feelings of horror, loss, and sorrow that dementia brings about in those whose lives it touches.

In imagistic language and an experimental graphic format, “Dementia Unit Art Gallery” casts a cold eye on the childlike state of cognition and creativity to which dementia relegates its victims.

I am deeply grateful to editor Robert Nazarene for bringing this poem out into the world.

“nautilus” Haiga Earns Honors from NHK World TV Haiku Masters Series

runner-up for Haiku Master of the Week 12 Dec 2017
“finding the way back” © 2017 Jennifer Hambrick. All rights reserved. First published on NHK World TV’s Haiku Masters at  https://www3.nhk.or.jp/nhkworld/en/tv/haiku_masters/gallery201712.html?week=2

I am honored to have been named runner-up for Haiku Master of the Week recently on NHK World TV’s Haiku Masters series for my haiga “finding the way back.”

I took the photo for this haiga while descending a rock staircase on a pueblo in New Mexico. The spiral staircase reminded me of the spiral shape of a chambered nautilus, an amazing creature that, as its flesh grows to fill the existing chambers inside, actually creates new chambers to accommodate future growth.

I was intrigued by the idea of growing into oneself as a metaphor for the journey of life. And while the spiral staircase in the photo actually leads outward to light, I read that light as a metaphor for the true enlightenment of coming to know oneself deep within. From my vantage point looking down into them, the spiral steps that lead into the light move clockwise, so I placed the text of the poem on the image so as to move the eye counterclockwise around the image. The haiga, thus, unites text and image in interlocking swirls.

Here are Haiku Masters judge Kazuko Nishimura’s comments on my haiga:

A nautilus grows to fill up the space in its shell, with an interior that can resemble a spiral staircase. This work does a wonderful job of representing the author’s drive to center oneself by returning to one’s origin. The way the text in the photo is written in the shape of a nautilus’ shell is also very well-done,  successfully bringing the photo, text and haiku into one cohesive work.

I am most grateful to Ms. Nishimura for these comments and for bestowing this honor on my work.

A Short Walk Inside a Haiga: “synapse” Before and After

Hambrick - synapse ACCEPTED FOR PUB IN DAILY HAIGA
“synapse” first published in DailyHaiga 27 Oct. 2017  http://www.dailyhaiga.org/haiga-archives/2165/synapse-by-jennifer-hambrick-usa.  “synapse” poem & image © Jennifer Hambrick 2017. All rights reserved.

Anyone who creates on a regular basis knows that the process that leads to a creation is almost always as original as the creation itself. In the case of my haiga “synapse,” published recently in the beautiful online journal DailyHaiga, I thought a before-and-after might be of interest.

It was actually the edited version of the photograph in “synapse” that inspired the haiku that now accompanies it. The edited image is above; here is the unedited photograph:

DSCF2029
© Jennifer Hambrick 2017. All rights reserved.

In the unedited, photo it’s a bit more clear that the light yellow network of fibrous tentacles is actually a meandering aquatic plant floating in water – in this case, a pond – just beneath the surface.

In editing the photo, I wanted to bring out the contrast between the yellow plant and the greenish hue of the water. So I moved briskly to the electric end of the color spectrum and also applied some other filters to add a retro urban feel.

I sat quietly for a while looking at the edited photo and exploring my inner landscape in relation to it, asking myself how the colors made me feel, what, in the abstract, that yellow thing kind of looked like, and so on.

Then I listened to my intuition, which told me that the yellow tentacles looked like either a subway map or a medical image of a nerve cell ganglion – no, they looked like both at once!

The two contrasting interpretations of the photo’s subject practically handed me the two components of the haiku on a platter: “synapse,” as in a nerve cell synapse, and “the distant rumble / of the outbound train,” referring to the subway map interpretation of the yellow vine.

My deep thanks to DailyHaiga editor Linda Pilarski for again publishing my work.

“Gloaming” Named a Winner in World Haiku Association Haiga Contest

Hambrick - gloaming UNDER REVIEW WITH OCT 2017 WORKLD HAIKU ASSOCIATION HAIGA CONTEST
gloaming was first published by the World Haiku Association http://www.worldhaiku.net/wha_haiga/157/jennifer_hambrick_us.html. © 2017 Jennifer Hambrick. All rights reserved.

Everyone I’ve ever met has, metaphorically speaking, carved his or her initials into my soul.

This idea is the message at the heart of my haiga “gloaming,” above, which recently was selected as a winner in the World Haiku Association’s 157th Haiga Contest.

I have never carved my initials into a tree. Here’s why: Imagine what it would feel like if someone were to gouge some random etching into your flesh with a sharp – or worse, a strong but more or less blunt-edged – instrument.

Every word I’ve heard has left its mark on me on a cellular level. Such is the nature of who we are as human beings interconnected in a web of emotions. More to the point, the scars of those I love, and of those I once loved, are still with me and may always be.

I am most grateful to contest judge Kuniharu Shimizu for selecting my work for this honor.

Haiga Celebrates the Slow Trickle of Summer

Hambrick - summer
Summer first published in DailyHaiga, 1 Oct. 2017.  Text and image © 2017 Jennifer Hambrick.  All rights reserved.

I was delighted to have another haiga published recently in the journal DailyHaiga.

Pictured in this haiga is a detail of the bottom of a water chain surrounded by pebbles, a wooden border and fronds of a plant. I took the photo during summer in the Japanese Garden at the phenomenal Schnormeier Gardens in Gambier, Ohio.

The tranquil elegance of this distinctly Japanese scene gave rise to thoughts of a lazy summer day and to the haiku that I included with the image.

And even though summer’s over and we’re deep into a glorious autumn, we can take that summer feeling – warm, lazy days when everything seems to move at a slow trickle – wherever we go.

I am extremely grateful to DailyHaiga editor Linda Pilarski for again publishing my work in this major haiga journal.

Three Water-Inspired Haiga Published in Haiga Online

Hambrick - the drift
Image and poem © 2017 Jennifer Hambrick.  All rights reserved.  First published in Haiga Online, Vol. 18-2, Autumn 2017.

Three of my haiga, all on the theme of water, were published recently in the journal Haiga Online.

The issue, “Borrowed Water,” features water-themed haiga by poets and artists around the world.

Hambrick - the cool slide
Image and poem © 2017 Jennifer Hambrick.  All rights reserved.  First published in Haiga Online, Vol. 18-2, Autumn 2017.

I shot the photographs in all of these haiga in June 2017 at the stunning Schnor-meier Gardens, in Gambier, Ohio, then used various digital photo editing techniques to add borders and other effects.

In “the drift,” shown at the top of this post, and in “the cool slide,” each of the visual images in its edited form inspired the haiku that accompanies it.

In “the drift,” water becomes one with the sky reflected in it.  together, they take on the role of a fluid, boundless medium through which thoughts can flow as freely as a summer breeze.

The photo in “the drift” is of one of the garden’s amazingly beautiful lily ponds, which were coming into full bloom during my visit. I decided on the particular combination of editing filters because of the effect they created on the clouds, which swirl in that lazy summer afternoon kind of way.

In “the cool slide,” water becomes the pathway for a kind of experience with dementia that differs from the horrifying response this traumatic condition usually evokes. The eye slides from a rocky shore into gentle sky-blue water, metaphorically away from the harsh ugliness of the world and into peaceful depths. Maybe there can be spiritual benefits to forgetting.

The image in “the cool slide” is of the edge of one of the lakes in the Schnormeier Gardens’ Serenity Garden, which also features trickling streams, two waterfalls, a young forest of more than 200 rare conifers, and a Japanese garden house.

Hambrick - spring tide
Image and poem © 2017 Jennifer Hambrick.  All rights reserved.  First published in Haiga Online, Vol. 18-2, Autumn 2017.

In “spring tide,” the rough edges of the piece of sea glass became the idea that guided me to create a poem about the wabi-sabi kind of beauty in one’s own rough edges, and the special compassion of the people who choose to accept them and, indeed, even see beauty in them.

Many sincere thanks to Haiga Online editor Linda Papanicolaou for selecting my work for this special “Borrowed Water” issue.

 

Poem Wins Sakura Award in 2017 Vancouver Cherry Blossom Festival International Haiku Invitational

Cherry Blossoms - Susanne Nilsson
Photo: Susanne Nilsson (Creative Commons/Flickr)

I was surprised and delighted to learn from a fellow haikuist that one of my poems recently received a Sakura Award in the 2017 Vancouver Cherry Blossom Festival International Haiku Invitational.

My haiku was one of 15 by U.S. authors recognized with Sakura Awards in this year’s competition. In addition, a single poem was named Top Winner in the U.S. category, and another 25 U.S. poems were given Honourable Mentions.

Of the 41 U.S. poems granted awards, fully six – close to 15 percent – are by poets living and working in my home state of Ohio.

The theme of this year’s Vancouver Cherry Blossom Festival Haiku Invitational was “freedom.” My poem speaks to the world of possibilities that await people of all ages and from all corners of the globe who seek to build their lives in freedom and peace:

an old man
learns two new words
cherry blossom

My heartfelt congratulations to the winning poets in all divisions of this year’s competition, and my sincere gratitude to the competition judges, Angelee Deodhar, Billie Wilson, and DeVar Dahl.

“Words and Music” Talk Launches National League of American Pen Women, Central Ohio Branch Guest Speaker Series

NLAPW talk 12 Sept 2017
Guest speaker Jennifer Hambrick with members of the Central Ohio Branch of the National League of American Pen Women, L to R: branch president Darlene Yeager-Torre, Hambrick, Mary Hoffman, Deborah Anderson, vice president Margaret Hanna and membership chair Rosalie Ungar.

I am greatly honored to have been invited to kick off the 2017-18 speaker series of the Central Ohio Branch of the National League of American Pen Women Tuesday evening. This amazing group of women artists put on a classy event at the Upper Arlington Public Library and could not have been more welcoming or more gracious.

Based in Washington, D.C., the National League of American Pen Women (NLAPW, or “Pen Women,” for short) is a venerable organization comprised of women artists in all mediums working throughout the U.S.

I was asked to talk about my multiple careers in music and letters, including my work as midday host and music director for WOSU Public Media’s Classical 101 radio station; my work writing about classical music for print, broadcast and online media; my career as a poet and my work as a performing singer.

For me, the highlights of the evening were meeting some of the chapter members in the “preception” before my talk, and having a chance to chat a bit more and enjoy some photo ops with them afterwards.

It was especially wonderful to see Mary Hoffman (pictured to my right in the photo above), one of my predecessors in my role as Classical 101 music director.  Mary was music director of WOSU Public Media’s classical music radio station when I was a teenager in Columbus and listening to that station every day.  Her work inspired me in innumerable ways, and I feel a special honor to carry her torch forward.

These talented and generous ladies sent me home with vase of gorgeous roses (!) and an invitation to join their group. But most importantly, they reminded me what a tremendous privilege it is to work in creative careers and to be inspired by the gifted artists who make Columbus’ vibrant arts scene what it is.

My thanks to branch president Darlene Yeager-Torre, Deborah Anderson and all of the members of the Central Ohio Branch of the National League of American Pen Women for the great honor to share my work and my story with you.