I am extremely honored and humbled that my most recent book, a silence or two (Red Moon Press), has received a 2025 Merit Book Award from the Haiku Society of America.

According to the Haiku Society of America, the HSA Merit Book Awards “recognize the best haiku and related books published in a given year in the English language.”

a silence or two is a deeply intimate poetic statement. It is raw, visceral. It deals with subject matter at once personal and universal—the body and it failings, trauma, death, loss, identity, and ultimately, the state of fractured wholeness so deep a part of our shared humanity in a broken world. This collection manifests in imagery and narratives that transcend the “objective realism” common to haiku to explore precarious terrain—namely the often unvoiced emotions hidden where flesh, soul, and spirit intersect in the depths of embodiment—for which expected languaging and usual modes of discourse are often insufficient.

Rattle poetry journal editor Tim Green and I discuss a silence or two extensively on Rattlecast.

It is significant that the emotional journey of this collection unfolds in haiku and short prose poems. Haiku tends to be viewed by poets and non-poets as a sort of toss-off genre unworthy of the kind of deep and rigorous study poets and literary scholars routinely devote to other genres. This common misconception and others, however, overlook centuries of profound and profoundly moving poetry in haiku’s original Japanese traditions and in the more recent though vibrant English-language tradition, to which the likes of Richard Wright, Sonia Sanchez, Jack Kerouac, Gary Snyder, and Jane Hirshfield have made significant contributions.

Common misconceptions about haiku also fail to consider that, like all other artistic genres and mediums, haiku invites exploration and the expansion of expressive possibilities. Indeed, haiku is a poetic vehicle uniquely and powerfully suited for conveying extraordinary ways of seeing the world and giving voice to the limitless depths of human emotion.

On every page of a silence or two, I broke the cardinal rules of English-language haiku and pushed other boundaries in ways that some would see as taboo. I am hugely gratified that HSA Merit Book Award competition judges Scott Mason and Patricia Machmiller saw the value of those risks for this book as a work of art and for the genre of haiku in English more broadly.

My deepest thanks and a deep bow to them. Deep thanks also to Jim Kacian and Red Moon Press for publishing this collection.